Towelhead Reviews

Our Review

Compelling

Monica Tan, MovieFix
For a country in which teen sex is always an extremely contentious issue, "Towelhead" is a bold film unafraid to "go there", and that's sure to ruffle plenty of feathers In Australia as well as the United States.

Set during the unfolding of the first Gulf War in 1991, the film follows 13-year-old American girl Jasira (Summer Bishil). Sent by her mother to live with her Lebanese father in Texas, Jasira's sexual awakening meets her next-door neighbour's predatory impulses (Aaron Eckhart) with unfortunate consequences. Jasira must also endure racism, from within her family home and outside of it, and manage her difficult relationship with her at-times-abusive father (Peter Macdissi).

As you might have sensed, there's some pretty heavy topics here, with the film not hesitating to throw several explosive issues into the mix: race, racism, teen sex, masturbation, menstruation and physical and sexual abuse.

Some of this is familiar ground for filmmaker and writer Alan Ball, who is best known as the writer of "American Beauty" and creator of the television series "Six Feet Under".

In the case of "Towelhead", based on a novel of the same name by Alicia Erian, the film veers more towards the dark and acerbic "Six Feet Under", rather than the larger-than-life and theatrical feel of "American Beauty" - although the underbelly of suburban sexual taboos of the latter film is also spotlighted in Ball's "Towelhead".

"Towelhead" is confronting; at times uncomfortably realistic. But to describe it just as that is to fail at conveying how much fun this film is, too, mainly thanks to the script's humour.

The humour is what makes this ride, which could have been too heavy to bear, so fantastically enjoyable, and reclassifies the film as a comedy steeped in drama, rather than a drama with a comedic streak.

Considering the subject matter, it would have been easy for Ball to become moralistic. But the film always stops short of drawing firm conclusions (save, perhaps at the end).

There are no baddies or goodies here, only very, very human characters, including one confused teen at the centre of it all. A teenager that is, as with all teens, moving through a complex time of transition: she is neither experienced, nor totally innocent, and has sexual impulses, but lacks the understanding and maturity to know how best to act on them.

"Towelhead" is compelling to watch, thanks to some superbly drawn characters, each with their own idiosyncrasies, their own charisma and emotional baggage. I wouldn't be surprised if there's talk of Oscar nominations here.

Your Reviews

 joseph
joseph
The burgoening of ones sexuality is confusing enough. But when there are complicated cultural values to be sensitive towards, while trying to understand the adult world that is irresponisible, a childs world becomes too confusing. This is much the reality of the Jasira the young adolescent who is in the predicament. She is banished to live with her lebanese father in housten. His inconsistent cultural and racial agenda is forced on her physically. The supressing of her sexuality then resurfaces in much the confusing way it is reflected to her by the adults around her. This movie is honest and makes no excuses in hiding the fact that children are sexualised and also the journey of puberty in a post colonial family with stringent ideas of sexuality can have adverse affects. Well done!
carol
carol
The leading young actor's performance in this film is the only praise-worthy thing about it. She's superb in the role. Unfortunately, while the stellar supporting cast do as well as they can with the material they've been given, it isn't enough to save the rest of the film. Actually, it's hard to imagine why a film that seemed to hold so much promise would fail so miserably. The title suggests a racial theme and gives the impression that new insights into the problems faced by Arab-Americans living in post 9/11 America will be shared with the audience. Unfortunately, all we get is an unconvincing interracial marriage relationship and some benign schoolyard name-calling. The early scenes suggest another promising study: how a teenage girl might deal with culture-clashed parents whose moral compass rarely points in the same direction. Unfortunately, all we get here is a confused mish-mash of dubious moral rectitude, implausible sexual relationships, immature character development and one-dimensional racial stereotypes. In fact, there are a dozen or so places where important issues could be explored with much greater depth and sensitivity and edited convincingly into the final cut. Among the more implausible situations we’re expected to believe are: that a polite, sensitive and shy teenage girl would routinely masturbate to orgasm openly in class; that paper-thin, new-age, pseudo-morality and 'getting to know your vagina' books are adequate protection against statutory rape and a substitute for sex education. Least plausible is that we're expected to believe that most females in suburbia are mature, wise and morally upright and most males are new-age girly-men, idiots or paedophiles. One has to ask, then, why this film was really made. The only thing that’s completely convincing is the complacency shown towards inappropriate sexual behaviour. Although it’s implicit and not shown, it is indicative of the boundless, pan-sexual world in which we currently find ourselves. Indeed, there’s a disturbing sensuality to these scenes that gives one the distinct impression that the filmmakers were somehow gratified by them. At its best, this film is wasteful of the opportunity that must have foreshadowed it. At it’s worst, it is little more than child pornography. I encourage you not to waste your money on it if you want to learn anything of value or if you care about teenagers.
Anonymous
Anonymous
My friends and I had to leave because we all felt sick watching all the kids being sexualised. Bleah.
 Vicki B
Vicki B
What a fantastic movie this is, with characters beautifully portrayed in a realistic and often confronting way. The ensemble cast are superb, and Aaron Eckhardt is just nothing short of brillant in his portrayal of a flawed and somewhat tortured character. This movie takes you on a journey, where you will experience many emotions, from laughter, sadness and even rage. If you want something different and are not easily shocked - see it, you will not be disappointed. We saw the movie on Saturday evening in a packed cinema and every movie goer was gripped and on the edge of their seats with the general consensus at conclusion that this is a triumph in movie making. Interestingly, this movie has many 'laugh out loud' moments, which arise from inappropriate or 'in your face' scenarios. Overall, simply FANTASTIC.

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