Moneyball

Moneyball is a baseball movie that is not about obvious success, but rather a deeper victory, throwing Brad Pitt possibly his best ball ever.
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Moneyball
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Pitt hits the ball out of the park

Dom Phillips, MovieFix
Moneyball is a baseball movie that is not about obvious success, but rather a deeper victory, throwing Brad Pitt possibly his best ball ever. Read More

Your Reviews

Iris Wielders
Iris Wielders
Sorkin soars on a winning streak (Moneyball) Whilst acknowledging co-writer Zaillian, the influence of Aaron Sorkin is clear in this sure Oscar winner. This is cinematic story telling at its best, subtle in its exposure, character building and pace. Add Sorkin’s typical crackling fizzing dialogue and smart sense of humour, and this is a movie of the caliber of The Social Network. As in that film, the topic of the movie is not what the film is about – as in much of Sorkin’s other work the backdrop functions as a setting for a story about people under pressure and the choices they make trying to do the right thing. I know nothing about baseball, and there are lines in the movie I did not understand, but I assure you it does not matter. If you do happen to love baseball as much as these characters do, it will be an even more satisfying experience.
Terry
Terry
Great movie for anyone who has been involved senior sport at and of a serious level
Sets the Oscar bar high.
Sets the Oscar bar high.
The first genuine Oscar contender to land on our screens, this ostensible sports flick has set the bar very high indeed. Based on real events (and adapted from Michael Lewis’ book “Moneyball: The Art of Winning an Unfair Game”) Moneyball recounts the ground-breaking approach that General Manager Billy Beane (Brad Pitt) took to enable the Oakland Athletics, with their $40m payroll, to compete against sides like the Yankees who had $120m behind them. With only a handful of actual baseball scenes featured – mostly from the 20th match in the A’s record-breaking 20 game winning streak – director Bennett Miller wisely sticks close to the utterly gripping off-field drama that screenwriters Aaron Sorkin and Steve Zaillian have superbly eked out with their pens. Brad Pitt proves his sense for picking career propelling roles is still flawless; his turn as the arrogant, charming, stubborn and intelligently forward-thinking Beane is a revelation, surely placing him as the early frontrunner for Best Actor come the awards season that’s just around the corner. Throw in a well-measured, heartfelt performance from Jonah Hill and you have a film that will undoubtedly be tagged a classic in the not-too-distant future.
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